Friday, 23 January 2015

Those are my chimney tops.

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We got the email on November 28th. It quite simply stated the owner would be taking over the property in 2015 and we needed to be out by 22 January 2015. I remember exactly where I was standing down to what I was wearing, black dress, black mottled leopard print tights and my smart camel and black felt jacket which has lapels like Cheryl Cole circa 2013.

All those years. If I could slot in a reference to London 2012 I would cover all the big events that had happened from the base that was my home most securely and definitely of anywhere I’d ever lived since 1997.

I moved into my Deanhaugh Street flat with Laura in March 2012. The week of my birthday. We had looked at the ad for the flat online in the pub below, in the window seat, not realising the bay windows of that pub, Hectors, swung round to meet what would be our front door for two years and mine for another after that.

I didn’t know then it was going to be the first place where I really felt like I belonged, to become my office when I quit my sensible day job and set up a company; a party flat, fitting sixteen people into a kitchen that on a grumpy Tuesday night didn’t seem to have room for two; the place I got into cycling; the place that meant I afford to buy a nice duvet; the place I got round to putting my own framed pictures up on the wall. Laura’s huge tapestry from India pinned up in the huge hall immediately lent warmth and colour. The place I could have a cupboard of all my cosmetics in the bathroom and twelve different moisturizers I never used. It didn’t matter what the flat was filled with as it was mine.

I loved the flat mostly as it was so strange. Long and thin, freezing cold, top top floor and a level above all the other high-street tenements so it felt like one was in the set for chim-chiminy from Mary Poppins. I owned those chimney tops. No one else had that view. From the back rooms, a glimpse at a far off Edinburgh Castle and skittles and layers of houses and flats rising up and up into the city centre, also the side of the flat that caught the sunrise. The front end of the flat, sitting room and the big bedroom looking out onto the busy high street caught the sunset. This meaning twice a day one end of the flat was bathed in the warm, pink light of magic hour and the other end was bathed in the pinky reflection of the sun waxing or waning.

The front end of the flat lent the best people watching of anywhere I’ve ever been let alone lived. If you like watching people – live on a high street or on a street that reaches long into the distance – this flat had both. I remember when friends came to stay when at 2am one night a couple of the staff from the pub below left work and he – out on the street – declared his love for her. We craned our necks out of the window in silence to listen. I got in a lot of trouble for making a noise that may have alerted them to our eavesdropping. I have watched people dancing home with headphones in at 9pm on a Friday after after-work drinks, I have watched men locked out of their flats by flatmates, partners, parents wandering listlessly drunk round in circles before turning round and going back to try their luck at the intercom.

That flat watched the Yes campaign gaining speed. I sat in my front room with the windows open on the evening of the referendum soaking up the carnival of tooting horns and exuberant chatter. Yes’s and No’s sprinkling the windows of the flats and flats and flats stretching down the road.

The night we finally emptied the flat out and moved a Subaru of residual crap round to my friends spare room where we are to pitch for the foreseeable – we watched Chris Nolan’s Intersteller. A film about dimensions, relativity and time and space and home – the story centres on a bookshelf in a home that no one can bare to let go of.

In all of the time and space and possibilities, time moves at a speed relative to activity. Those three years in that flat feel like decades. The eight weeks notice dragged and tripped me up, rendering me incapable of picturing a reality beyond not being in my home. It’s not mad to cry and scream and holler at someone taking your security away. It’s fairly mad not to. I feel a pang when I take a tent down that I’ve stayed in for a weekend. I’ll find a new home, that no-one else wants as it’s weird and long or tall or cold or hot or high or bright or similar to the set of a childhood film if I were able to wander out the windows without falling three floors – but for now I reserve the right to wonder how my sitting room is without me chatting on the phone gazing out the window. If my neighbours are wondering why my bike has gone from the hall. Why my evenings aren’t bathed in a pink light – and who’s going to clamber over the rooftops in their mind, tripping over chimney pots and slipping on tiles, gazing into skylights, sneaking at other people’s top floor lives and disturbing birds’ nests.

Maybe I’ll reserve that right just for me.  In my own dimension.

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